Roger de Piles' theory of art and new techniques for opening scenes in Moliere, Landois and Diderot
Pas d'illustration
Référence complète
Worvill, Romira. "Roger de Piles' theory of art and new techniques for opening scenes in Moliere, Landois and Diderot." in British journal for eighteenth century studies, 2001, vol. 24, n° 1, spring, p. 77-89.
Citation
Worvill, 2001, de Piles
Publications en série / contributions
Titre article / contribution :
Roger de Piles' theory of art and new techniques for opening scenes in Moliere, Landois and Diderot
Titre publication en série / ouvrage collectif :
British journal for eighteenth century studies
Éditions
Date d'édition :
20 mars 2001
-
21 juin 2001
Commentaire Éditions :
Printemps 2001
Descriptions
Résumé :
Considers some opening scenes in four plays by Moliere, Landois and Diderot which reflect aspects of de Piles's new ideas about painting and its impact on the viewer. The changing roles of language and visual effects apparent in these opening scenes can be seen as representative of the overall changes that 18th-c. writers were trying to bring about in the theater.
Source
source : Institut national d'histoire de l'art (France) - licence : Attribution 4.0 International (CC BY 4.0)
Commentaire interne
Prestation GRAHAL 2015
Personne / personne